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| Issue |
Title |
| |
| Vol 8, No 1 (2022) |
From site to territory: Hypothesis about the in situ theatre landscape in France |
Abstract
PDF (Rus)
|
|
A. Mouton-Rezzouk |
| |
| Vol 8, No 1 (2022) |
Stage practices in situ: Formation of value |
Abstract
PDF (Rus)
|
|
D. Urrutiaguer |
| |
| Vol 8, No 1 (2022) |
Between intervention and sharing: On the relationship of performances in public spaces to the milieu |
Abstract
PDF (Rus)
|
|
E. I. Gordienko |
| |
| Vol 8, No 1 (2022) |
Intervention as a means to make a political theatre |
Abstract
PDF (Rus)
|
|
K. N. Matvienko |
| |
| Vol 8, No 1 (2022) |
Alone in the theatre: The phenomenon of a performance for a single spectator |
Abstract
PDF (Rus)
|
|
Yu. A. Kleiman |
| |
| Vol 8, No 1 (2022) |
“The Meeting” — “The Apartment” — “Conversations”: Politics of space in an inclusive project |
Abstract
PDF (Rus)
|
|
A. O. Dunaeva |
| |
| Vol 8, No 1 (2022) |
Performative practices in contem¬porary art and the funeral ritual (the case of the project “The Garden named after” by Artem Filatov and Alexey Korsi) |
Abstract
PDF (Rus)
|
|
Zh. V. Vasilieva |
| |
| Vol 8, No 1 (2022) |
Between guided tour and dance: Experiencing the historical environment through site-specific performative practices |
Abstract
PDF (Rus)
|
|
S. A. Kondratyeva |
| |
| Vol 8, No 1 (2022) |
Promenade “They met in Moscow”: Cultural recycling of the film in the scenery of VDNKh |
Abstract
PDF (Rus)
|
|
N. V. Semenova |
| |
| Vol 8, No 1 (2022) |
Theatrical research of laboratory discourse: Concepts, history of ideas, Russian context |
Abstract
PDF (Rus)
|
|
Yu. G. Liderman |
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