Preview

Shagi / Steps

Advanced search

The Thousand-Year Kingdom: Historical Russia in Russian vampire TV series

https://doi.org/10.22394/2412-9410-2023-9-1-47-64

Abstract

The paper examines the phenomenon of the vampire «new wave» of 2021 – еarly 2022 in the context of cultural policy in Russia. The author focuses on the fact that compared to foreign TV series, the image of a vampire in Russian series is strongly instrumentalized, and a reference to history becomes extremely important in them. In an analysis based on three popular series (Svyatoslav Podgayevsky’s Pischeblok, Anton Maslov’s Central Russia’s Vampires, and Danila Kozlovsky’s Karamora) the author problematizes the representation of history in the newest Russian quasihistorical series. It is argued that a new «commonplace» in the politics of history in Russia is the tendency to create narratives that inconsistently combine the aesthetics of the political regimes of Imperial, Soviet, and contemporary Russia. Thus, a new genealogy of the current sociopolitical order is being constructed, inextricably linking this order with the previous unified tradition. The fantastic figure of the vampire is the keystone of this new narrative. The author suggests that the construction of historical experience is isomorphic to the popular state mythologem of «historical Russia». At the same time, the vampire metaphor vividly embodies not only the idea of the «organic» nature of Russian political power, but also the notion of its necessary transgressiveness.

About the Author

E. Yu. Nagaeva
The Russian Presidential Academy of National Economy and Public Administration; Russian State University for the Humanities
Russian Federation

Elena Yu. Nagaeva – Senior Lecturer, Department of Cultural Studies and Social Communications, Faculty of History and Philology; Lecturer, Department of History and Theory of Culture, Faculty of Culturology

119571, Moscow, Prospekt Vernadskogo, 82;

125993, GSP-3, Moscow, Miusskaya Sq., 6

Tel.: +7 (495) 956-96-47;

Tel.: +7 (495) 250-68-27



References

1. Bauman, Z. (2017). Retrotopia. Polity Press.

2. Boym, S. (2002). The future of nostalgia. Basic Books.

3. Budraitskis, I. (2019). Brezhnev kak sovremennik? Nostal’giia, retromaniia i kolonizatsiia sovetskogo [Brezhnev as a contemporary? Nostalgia, retromania, and the colonization of the Soviet]. Neprikosnovennyi zapas, 2019(2, no. 124), 230–237. (In Russian).

4. Gavrishina, O. V. (2018). Fotografiia kak ruina [The photograph as ruin]. Shagi / Steps, 4(3–4), 59–67. (In Russian).

5. Jameson, F. (1982). Progress versus utopia; or, Can we imagine the future? Science Fiction Studies, 9(2), 147–158.

6. Jameson, F. (1990). Postmodernism, or The cultural logic of late capitalism. Duke Univ. Press.

7. Limpar, I. (2018). Masculinity, visibility, and the vampire literary tradition in What We Do in the Shadows. Journal of the Fantastic in the Arts, 29(2, no. 102), 266–288.

8. Lipovetskii, M., & Mikhailova. T. (2021). Bol’she chem nostal’giia (Pozdnii sotsializm v teleserialakh 2010-kh godov) [More than nostalgia: Late Socialism in TV series of the 2010s]. Novoe literaturnoe obozrenie, 2021(3, no. 169), 127–147. (In Russian).

9. Oleinikov, A. (2021, October 11). Otkuda est’ poshla “Istoricheskaia Rossiia” [Where did “Historical Russia” come from?]. Fond Liberal’naia Missiia. https://liberal.ru/authors-projects/otkuda-est-poshla-istoricheskaya-rossiya. (In Russian).

10. Samutina, N. V. (2007). Ideologiia proshlogo v sovremennom evropeiskom kino [Ideology of nostalgia: Problem of the past in contemporary European cinema] (Preprint WP6/2007/01). GU VShE. (In Russian).

11. Schönle, A. (2011). Architecture of oblivion: Ruins and historical consciousness in modern Russia. Northern Illinois Univ. Press.

12. Reynolds, S. (2011). Retromania: Pop culture’s addiction to its own past. Faber and Faber.


Review

For citations:


Nagaeva E.Yu. The Thousand-Year Kingdom: Historical Russia in Russian vampire TV series. Shagi / Steps. 2023;9(1):47-64. (In Russ.) https://doi.org/10.22394/2412-9410-2023-9-1-47-64

Views: 125


Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 License.


ISSN 2412-9410 (Print)
ISSN 2782-1765 (Online)