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First publication of the diary of Yu.A. Smirnov-Nesvitsky

https://doi.org/10.22394/2412-9410-2022-8-2-280-299

Abstract

The following publication is a collection of excerpts from a diary kept between 1961 and 2005 by Yu.A. Smirnov-Nesvitsky — Dr. Sci. (Art History), theatre historian, stage director, playwright, founder of the “Subbota” (“Saturday”) authors’ theatre, Honoured Artist of the Russian Federation. Across the pages of the diary are scattered the names of various theater personalities — N.P. Akimov, V.N. Pluchek, G.A. Tovstonogov, O.N. Efremov, A.M. Volodin, O.P. Tabakov, A.A. Mironov; theatre historians and theorists S.L. Tsimbal, R.M. Beniash, V.M. Krasovskaya, D.I. Zolotnitsky, G.A. Lapkina, S.V. Vladimirov, V.A. Sakhnovsky-Pankeev, and many others, whom fate brought together with Smirnov-Nesvitsky. He keeps records of discussions of Moscow and St. Petersburg premieres, put on by the professional community of the time; recounts “Subbota’s” many-year struggle to stand up for its own voice, and tells many creative, scientific and human stories of his own life, and of the times in general.

About the Author

D. D. Kumukova
Russian Institute of Arts History Russian Academy of Sciences
Russian Federation

Dzhamilya D. Kumukova - Cand. Sci. (Art History) Senior Researcher, Theatre Sector, Russian Institute of Arts History.

190000, St. Petersburg, Isaakievskaya Sq., 5

Tel.: +7 (812) 315-55-87



References

1. Smirnov-Nesvitskii, Iu. A. (1964). O mnogoobrazii stsenicheskikh reshenii [On diversity of stage solutions]. Iskusstvo. (In Russian).

2. Smirnov-Nesvitskii, Iu. A. (1968). Rol’ i stsenicheskii obraz [The role and the stage persona]. Iskusstvo. (In Russian).

3. Smirnov-Nesvitskii, Ιu. A. (1970). Kliuch k obrazu: Razmyshleniia o sposobakh igry v sovremennom sovetskom teatre [The key to the stage persona: Musings on ways to act in contemporary Soviet theatre]. Iskusstvo; Leningradskoe otdelenie. (In Russian).

4. Smirnov-Nesvitskii, Iu. A. (1971). Sovetskii teatr segodnia (Metodicheskoe posobie v pomoshch’ lektoru) [Soviet theatre today (A study guide to help the lecturer)] (n. p.). (In Russian).

5. Smirnov-Nesvitskii, Iu. A. (1975). Zrelishche neobychaineishee: Maiakovskii i teatr [A spectacle most extraordinary: Mayakovsky and the theatre]. Iskusstvo; Leningradskoe otdelenie. (In Russian).

6. Smirnov-Nesvitskii, Iu. A. (1979). Eshche odna zhizn’ [One more life]. Iskusstvo. (In Russian).

7. Smirnov-Nesvitskii, Iu. A. (1980). Osobennosti poetiki teatra Maiakovskogo: Uchebnoe posobie [Special features of the poetry of Mayakovsky’s theatre: A study guide]. LGITMiK. (In Russian).

8. Smirnov-Nesvitskii, Iu. (1987). Evgenii Vakhtangov [Evgeniy Vakhtangov]. Iskusstvo; Leningradskoe otdelenie. (In Russian).

9. Smirnov-Nesvitskii, Iu. (2012). Tikhoe chtenie: Moi Bunin [Quiet reading: My Bunin]. Rossiiskii institut istorii iskusstv. (In Russian).

10. Vladimirov, S. V. (2012). K istorii rezhissury [Towards the history of stage direction] (A. P. Varlamova, D. D. Kumukova, & V. O. Varlamova, Eds.) (Vol. 2). Rossiiskii institut istorii iskusstv. (In Russian).


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For citations:


Kumukova D.D. First publication of the diary of Yu.A. Smirnov-Nesvitsky. Shagi / Steps. 2022;8(2):280-299. (In Russ.) https://doi.org/10.22394/2412-9410-2022-8-2-280-299

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ISSN 2412-9410 (Print)
ISSN 2782-1765 (Online)