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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">steps</journal-id><journal-title-group><journal-title xml:lang="ru">Шаги/Steps</journal-title><trans-title-group xml:lang="en"><trans-title>Shagi / Steps</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">2412-9410</issn><issn pub-type="epub">2782-1765</issn><publisher><publisher-name>The Russian Presidential Academy of National Economy and Public Administration</publisher-name></publisher></journal-meta><article-meta><article-id custom-type="elpub" pub-id-type="custom">steps-954</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>Статьи</subject></subj-group></article-categories><title-group><article-title>О театре можно писать по-разному</article-title><trans-title-group xml:lang="en"><trans-title>One can write about theatre in different ways</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Сенькина</surname><given-names>В. С.</given-names></name><name name-style="western" xml:lang="en"><surname>Senkina</surname><given-names>V. S.</given-names></name></name-alternatives><email xlink:type="simple">v.senkina@gmail.com</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru"><institution>Всероссийский государственный институт кинематографии им. С. А. Герасимова</institution></aff><aff xml:lang="en"><institution>Russian State University of Cinematography named after S. A. Gerasimov (VGIK)</institution></aff></aff-alternatives><volume>3</volume><issue>3</issue><fpage>169</fpage><lpage>176</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Сенькина В.С., 1970</copyright-statement><copyright-year>1970</copyright-year><copyright-holder xml:lang="ru">Сенькина В.С.</copyright-holder><copyright-holder xml:lang="en">Senkina V.S.</copyright-holder><license xml:lang="ru" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>Данная работа распространяется под лицензией Creative Commons Attribution 4.0.</license-p></license><license xml:lang="en" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://steps.ranepa.ru/jour/article/view/954">https://steps.ranepa.ru/jour/article/view/954</self-uri><abstract><p>Публикуется эссе «О театре можно писать по-разному» Бориса Понизовского - театрального режиссера, философа, теоретика театра, одного из лидеров неформальной культуры Ленинграда 1960-1990-х годов. В тексте автор объясняет главные положения собственной теории, специфику театрального языка своих спектаклей через топографию родного города.</p></abstract><trans-abstract xml:lang="en"><p>We publish an essay, “One can write about theatre in different ways”, which was written by Boris Ponizovsky — theatre director, philosopher, theoretician and one of the leaders of Leningrad unoffcial culture during the 1960s–1990s. In this text, its author explains the main points of his theater theory and the specifcs of the theatrical language of his performances in comparison and in connection with the topography of Leningrad.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>театр</kwd><kwd>импровизация</kwd><kwd>авангард</kwd><kwd>неофициальная культура</kwd><kwd>Ленинград</kwd><kwd>Борис Понизовский</kwd></kwd-group><kwd-group xml:lang="en"><kwd>theatre</kwd><kwd>improvisation</kwd><kwd>avant-garde</kwd><kwd>unoffcial culture</kwd><kwd>Leningrad</kwd><kwd>Boris Ponizovsky</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title></ref-list><fn-group><fn fn-type="conflict"><p>The authors declare that there are no conflicts of interest present.</p></fn></fn-group></back></article>
