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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">steps</journal-id><journal-title-group><journal-title xml:lang="ru">Шаги/Steps</journal-title><trans-title-group xml:lang="en"><trans-title>Shagi / Steps</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">2412-9410</issn><issn pub-type="epub">2782-1765</issn><publisher><publisher-name>The Russian Presidential Academy of National Economy and Public Administration</publisher-name></publisher></journal-meta><article-meta><article-id custom-type="elpub" pub-id-type="custom">steps-928</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>Статьи</subject></subj-group></article-categories><title-group><article-title>Непрочитанная пантомима: диссертация Евгения Харитонова в контексте его художественного творчества и советских теорий танца</article-title><trans-title-group xml:lang="en"><trans-title>Unread pantomime: Evgenii Kharitonov's dissertation in the context of his artistic creativity and Soviet theories of dance</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Ларионов</surname><given-names>Д. В.</given-names></name><name name-style="western" xml:lang="en"><surname>Larionov</surname><given-names>D. V.</given-names></name></name-alternatives><email xlink:type="simple">vseimena79@gmail.com</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru">Институт философии РАН</aff><aff xml:lang="en">Institute of Philosophy, Russian Academy of Science</aff></aff-alternatives><volume>3</volume><issue>1</issue><fpage>185</fpage><lpage>198</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Ларионов Д.В., 1970</copyright-statement><copyright-year>1970</copyright-year><copyright-holder xml:lang="ru">Ларионов Д.В.</copyright-holder><copyright-holder xml:lang="en">Larionov D.V.</copyright-holder><license license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://steps.ranepa.ru/jour/article/view/928">https://steps.ranepa.ru/jour/article/view/928</self-uri><abstract><p>Статья посвящена кандидатской диссертации «Пантомима в обучении киноактера» Е. В. Харитонова (1941-1981), известного как прозаик, поэт и драматург. Рассматривается место исследования Харитонова в ряду других текстов о пантомиме 1960-1980-х годов (книги и методические пособия Александра Румнева, Елены Макаровой, Ильи Рутберга и др.): в отличие от других авторов, Харитонов использовал для ее изучения структурно-семиотический метод. С другой стороны, анализируется потенциал диссертации Харитонова как своеобразного манифеста ненормативного движения, которое формировалось внутри пантомимы и главным образом соцреалистического кинематографа учителем Харитонова, актером и мимом Александром Румневым. Кроме того, в статье намечается способ рассмотрения пантомимы и диссертации в первую очередь Харитонова в контексте советского гендерного порядка.</p></abstract><trans-abstract xml:lang="en"><p>This articles focuses on Evgenii Kharitonov's Ph.D. dissertation, “Pantomime in Instruction of Film Actors”, which he defended in 1972. Kharitonov (1941–1981) is now known as a poet, playwright, and prose writer, and as the founder of contemporary Russian gay literature. We discuss the meanings of his dissertation in some different contexts: Soviet studies of theater pantomime from the 1960s–1980s, represented by monographs and textbooks by Alexander Rumnev, Elena Markova and Ilya Rutberg; as well as Kharitonov's own works. Unlike most authors of Soviet studies of pantomime, Kharitonov implemented the structural-semiotic method in his work. However, his consideration of pantomime as a representation of “natural”, “non-restricted” human movements covertly contradicts the culture-centrism common to the Soviet structuralists of the 1960s. We show that Kharitonov's theory of pantomime and his prose and poetry were united by the author's interest in the “non-normativity” of human gestures, behavior and consciousness. Apparently, Kharitonov inherited this interest from the well-known dancer and director Alexander Rumnev, one of his mentors. Rumnev was active in the 1920s and 1960s.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>пантомима</kwd><kwd>знак</kwd><kwd>жест</kwd><kwd>социалистический реализм</kwd><kwd>пластическое действие</kwd><kwd>Александр Румнев</kwd></kwd-group><kwd-group xml:lang="en"><kwd>pantomime</kwd><kwd>sign</kwd><kwd>gesture</kwd><kwd>socialist realism</kwd><kwd>plastic action</kwd><kwd>Alexander Rumnev</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title></ref-list><fn-group><fn fn-type="conflict"><p>The authors declare that there are no conflicts of interest present.</p></fn></fn-group></back></article>
