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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">steps</journal-id><journal-title-group><journal-title xml:lang="ru">Шаги/Steps</journal-title><trans-title-group xml:lang="en"><trans-title>Shagi / Steps</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">2412-9410</issn><issn pub-type="epub">2782-1765</issn><publisher><publisher-name>The Russian Presidential Academy of National Economy and Public Administration</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.22394/2412-9410-2020-6-2-249-258</article-id><article-id custom-type="elpub" pub-id-type="custom">steps-687</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>Статьи</subject></subj-group></article-categories><title-group><article-title>Основание Константинополя в контексте мифологии</article-title><trans-title-group xml:lang="en"><trans-title>The founding of Constantinople in the context of myths</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Миролюбов</surname><given-names>И. А.</given-names></name><name name-style="western" xml:lang="en"><surname>Mirolyubov</surname><given-names>Ivan A.</given-names></name></name-alternatives><email xlink:type="simple">peter-herzog@yandex.ru</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru"><institution>Московский государственный объединенный художественный историко-архитектурный и природно-ландшафтный музей-заповедник</institution></aff><aff xml:lang="en"><institution>The Moscow State Integrated Art and Historical Architectural and Natural Landscape Museum-Reserve</institution></aff></aff-alternatives><volume>6</volume><issue>2</issue><fpage>249</fpage><lpage>258</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Миролюбов И.А., 1970</copyright-statement><copyright-year>1970</copyright-year><copyright-holder xml:lang="ru">Миролюбов И.А.</copyright-holder><copyright-holder xml:lang="en">Mirolyubov I.</copyright-holder><license xml:lang="ru" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>Данная работа распространяется под лицензией Creative Commons Attribution 4.0.</license-p></license><license xml:lang="en" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://steps.ranepa.ru/jour/article/view/687">https://steps.ranepa.ru/jour/article/view/687</self-uri><abstract><p>Основание Константинополя было одним из важнейших событий правления императора Константина Великого. Он поставил перед собой амбициозную задачу создать «новый Рим», который должен был служить маркером начала новой эпохи и новым центром Pax Romana. Оставляя в стороне вопросы технического характера, автор статьи сосредоточил свое внимание на идеологической основе, которой было подкреплено основание столь значимого города. Константин Великий, хотя и заслужил репутацию новатора, никогда не упускал из виду исторические корни самосознания римлян и активно использовал их для подкрепления вводимых им новшеств. Основание Константинополя сопровождалось отсылками к мифам о Троянской войне, образам Энея, Ромула и Рема. Использование этих сюжетов позволяло укрепить восприятие Константинополя как «нового Рима», а самого Константина - как нового Ромула, основателя государства и человека, открывшего своими свершениями новую эпоху.</p></abstract><trans-abstract xml:lang="en"><p>The founding of Constantinople was one of the most significant events of Constantine’s the Great epoch and his major building project. It has always attracted serious attention of historians. Along with purely technical issues (the period of construction, the amount of money and materials spent, etc.), it is worth paying attention to how the project on building a new center of Pax Romana was ideologically justified. According to Ammianus Marcellinus (Res Gest. XXI.10.8), Constantine’s nephew Julian upbraided his uncle for his reckless commitment to innovations. However, as some modern scientific researches show us, many of the emperor’s innovations were based on a clever interpretation of old ideologemes. In this respect, the use of traditional myths about the origin of Rome in connection with the founding of Constantinople looks especially interesting. These are the myths about the Trojan War, as well as the story of Aeneas, the Capitoline She-wolf, Romulus and Remus. The direct reference to the image of Romulus, the founder of Rome, is evidence of Constantine viewing the new city founded by him as the new Rome, and its foundation as a new landmark in the history of the Roman state (which Constantine himself called in his letter to the poet Porphyrius - saeculum meum).</p></trans-abstract></article-meta></front><back><ref-list><title>References</title></ref-list><fn-group><fn fn-type="conflict"><p>The authors declare that there are no conflicts of interest present.</p></fn></fn-group></back></article>
