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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">steps</journal-id><journal-title-group><journal-title xml:lang="ru">Шаги/Steps</journal-title><trans-title-group xml:lang="en"><trans-title>Shagi / Steps</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">2412-9410</issn><issn pub-type="epub">2782-1765</issn><publisher><publisher-name>The Russian Presidential Academy of National Economy and Public Administration</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.22394/2412-9410-2023-9-4-244-267</article-id><article-id custom-type="elpub" pub-id-type="custom">steps-199</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>Статьи</subject></subj-group></article-categories><title-group><article-title>Матильда Холличер, дизайнер одежды:  к вопросу о малоизвестных страницах биографии Зигмунда Фрейда и женском творческом труде в первой половине —  середине ХХ в.</article-title><trans-title-group xml:lang="en"><trans-title>Mathilde Hollitscher, fashion designer:  On the question of obscure pages of Sigmund Freud’s biography and 20th century women’s creative labour</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><contrib-id contrib-id-type="orcid">https://orcid.org/0000-0002-4918-0511</contrib-id><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Лебедева</surname><given-names>О. М.</given-names></name><name name-style="western" xml:lang="en"><surname>Lebedeva</surname><given-names>O. M.</given-names></name></name-alternatives><bio xml:lang="ru"><p>Ольга Михайловна Лебедева, аспирантка, Аспирантская школа по искусству и дизайну, факультет креативных индустрий</p><p>109028, Москва, Покровский бульвар, д. 11</p><p>Тел.: +7 (495) 772-95-90</p></bio><bio xml:lang="en"><p>Olga M. Lebedeva, Post-Graduate Student, Doctoral School of Arts and Design, Faculty of Creative Industries</p><p>109028, Moscow, Pokrovsky Boulevard, 11</p><p>Tel.: +7(495)772-95-90</p></bio><email xlink:type="simple">onika1969@mail.ru</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru"><institution>Национальный исследовательский университет «Высшая школа экономики»</institution><country>Россия</country></aff><aff xml:lang="en"><institution>National Research University Higher School of Economics</institution><country>Russian Federation</country></aff></aff-alternatives><pub-date pub-type="collection"><year>2023</year></pub-date><pub-date pub-type="epub"><day>29</day><month>12</month><year>2023</year></pub-date><volume>9</volume><issue>4</issue><fpage>244</fpage><lpage>267</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Лебедева О.М., 2023</copyright-statement><copyright-year>2023</copyright-year><copyright-holder xml:lang="ru">Лебедева О.М.</copyright-holder><copyright-holder xml:lang="en">Lebedeva O.M.</copyright-holder><license xml:lang="ru" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>Данная работа распространяется под лицензией Creative Commons Attribution 4.0.</license-p></license><license xml:lang="en" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://steps.ranepa.ru/jour/article/view/199">https://steps.ranepa.ru/jour/article/view/199</self-uri><abstract><p>Статья посвящена профессионально-творческим аспектам биографии старшей дочери Зигмунда Фрейда Матильды Холличер, урожденной Фрейд, чье жизнеописание в данном случае оказывается представлено в качестве точки схождения нескольких исследовательских траекторий. К числу последних относятся такие направления, как история психоаналитического движения и проливающие свет на жизнь и деятельность основателя психоанализа биографические штудии, в том числе тематизирующие его повседневные практики. Одновременно с этим исследование сфокусировано на обнаруживаемой в описании жизни Матильды Холличер, во многом типичной для представительниц ее поколения, связи с сюжетом, касающимся смещения практик женского творческого труда из невидимой зоны домашней работы в плоскость профессиональной самореализации в публичном пространстве, имевшего место в ХХ в. Рассматривая деятельность Холличер в качестве раскрывающего данную тенденцию показательного примера, настоящая статья в то же время намечает эскизную картографию связей семьи Фрейд с миром текстиля и одежды. Это открывает не задействованные ранее возможности освещения ряда эпизодов истории психо-аналитического движения, равно как и биографии его основоположника, а также позволяет наметить дополнительные перспективы осмысления наследия основателя психоанализа.</p></abstract><trans-abstract xml:lang="en"><p>The article is devoted to an analysis of some aspects, pro[<xref ref-type="bibr" rid="cit1">1</xref>]fessional as well as creative ones, of the biography of Mathilde Hollitscher, Sigmund Freud’s eldest daughter. In this context her life story is presented as a point of convergence of several research trajectories, including the history of the psychoanalytic movement and biographical studies related to the founder of psychoanalysis and his relationship with the world of clothing and textiles. At the same time, this research focuses on the shift of the practices of women’s creative work from the invisible area of domestic labour to the sphere of professional activity implemented in the public space in the 20th century. The article considers the professional life of Freud’s eldest daughter as an illustrative example of such deterritorialization, and also outlines the connections of the Freud family with the world of textiles and clothing. All this opens up new possibilities to elucidate a number of episodes in the history of the psychoanalytic movement, as well as some facts of Sigmund Freud’s biography. The presented materials also create additional perspectives for comprehending the legacy of the founder of psychoanalysis.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>история психоанализа</kwd><kwd>история психоаналитического движения</kwd><kwd>практики женского шитья</kwd><kwd>практики женского творческого труда</kwd><kwd>биография Зигмунда Фрейда</kwd><kwd>история  семьи Зигмунда Фрейда</kwd></kwd-group><kwd-group xml:lang="en"><kwd>history of psychoanalysis</kwd><kwd>history of the psychoanalytic movement</kwd><kwd>practices of women’s sewing</kwd><kwd>practices of women’s  creative work</kwd><kwd>biography of Sigmund Freud</kwd><kwd>history of Sigmund  Freud’s family</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Гай 2016 — Гай П. Фрейд / Пер. с англ. Ю. Гольдберга. 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