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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">steps</journal-id><journal-title-group><journal-title xml:lang="ru">Шаги/Steps</journal-title><trans-title-group xml:lang="en"><trans-title>Shagi / Steps</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">2412-9410</issn><issn pub-type="epub">2782-1765</issn><publisher><publisher-name>The Russian Presidential Academy of National Economy and Public Administration</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.22394/2412-9410-2024-10-2-310-317</article-id><article-id custom-type="elpub" pub-id-type="custom">steps-192</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>СРЕДНИЕ ВЕКА И НОВОЕ ВРЕМЯ. РЕЦЕПЦИЯ АНТИЧНОЙ ТРАДИЦИИ</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="en"><subject>MIDDLE AGES AND NEW TIME. RECEPTION OF CLASSICAL TRADITION</subject></subj-group></article-categories><title-group><article-title>The blindness of mind and eyes in Sophocles’ Theban Tragedies and Shakespeare’s King Lear: Oedipus, Lear, and Gloucester</article-title><trans-title-group xml:lang="en"><trans-title>The blindness of mind and eyes in Sophocles’ Theban Tragedies and Shakespeare’s King Lear: Oedipus, Lear, and Gloucester</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><contrib-id contrib-id-type="orcid">https://orcid.org/0009-0006-4996-3328</contrib-id><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Топчян</surname><given-names>А. С.</given-names></name><name name-style="western" xml:lang="en"><surname>Topchyan</surname><given-names>A. S.</given-names></name></name-alternatives><bio xml:lang="ru"><p>Арам Степанович Топчян, доктор филологических наук, старший научный сотрудник, зав. Отделом</p><p>Отдел светской литературы</p><p>0009; пр-т Маштоца, д. 53; Ереван</p></bio><bio xml:lang="en"><p>Aram S. Topchyan Dr. Sci. (Philology), Senior Researcher, Head of The Department</p><p>Department of Secular Literature</p><p>0009; Mashtots Ave., 53; Yerevan</p></bio><email xlink:type="simple">a.topchyan@matenadaran.am</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru">Институт древних рукописей им. Месропа Маштоца (Матенадаран)<country>Армения</country></aff><aff xml:lang="en">Mesrop Mashtots Institute of Ancient Manuscripts (Matenadaran)<country>Armenia</country></aff></aff-alternatives><pub-date pub-type="collection"><year>2024</year></pub-date><pub-date pub-type="epub"><day>02</day><month>02</month><year>2025</year></pub-date><volume>10</volume><issue>2</issue><fpage>310</fpage><lpage>317</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Топчян А.С., 2025</copyright-statement><copyright-year>2025</copyright-year><copyright-holder xml:lang="ru">Топчян А.С.</copyright-holder><copyright-holder xml:lang="en">Topchyan A.S.</copyright-holder><license license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://steps.ranepa.ru/jour/article/view/192">https://steps.ranepa.ru/jour/article/view/192</self-uri><abstract><p>   Сходство между Эдипом Софокла и Лиром Шекспира впервые было замечено несколько десятилетий назад. Литературоведы обратили внимание на эпизоды, в которых оба царя отталкивают тех, кто говорит правду (например, Тиресия и Кента), убиты два сына Эдипа и две дочери Лира, Эдип оплакивает свою жену и мать, мертвую Иокасту, а Лир — свою дочь, мертвую Корделию, Креон входит с трупом Антигоны, а Лир — с трупом Корделии, слепого Эдипа ведет Антигона, а слепого Глостера — Эдгар и т. д. Несколько лет назад (2019) был опубликован целый сборник статей, посвященных параллелям между «Эдипом в Колоне» и «Королем Лиром». И хотя в этом сборнике сходство между двумя пьесами анализируется с разных точек зрения, однако не уделяется особого внимания метафорическому смыслу слепоты ума и глаз, аспекту, на который автор данной статьи впервые обратил внимание в 2015 г. и более подробно рассматривает в этой статье. «Лучше быть слепым глазами, чем слепым умом»: это изречение армянского историографа V в. Егише, встречающееся и в других древних источниках, как нельзя лучше подходит к драматичной истории Эдипа, который, в свою очередь, имеет хорошо известные аналоги в шекспировском «Короле Лире» — Лира и Глостера. В статье рассматривается интересная параллель между этими тремя персонажами, а именно мучительный, трагический путь обретения ими мудрости через слепоту (в случае Эдипа это пророческая мудрость).</p></abstract><trans-abstract xml:lang="en"><p>   Similarities between Sophocles’ Oedipus and Shakespeare’s Lear were first noticed decades ago. Scholars called attention to the episodes in which both kings repel truthtellers (e. g., Tiresias and Kent); Oedipus’ two sons and Lear’s two daughters are killed; Oedipus laments over his wife and mother, the dead Jocasta, and Lear weeps over his daughter, the dead Cordelia; Creon enters with Antigone’s corpse and Lear with Cordelia’s corpse; the blind Oedipus is led by Antigone and the blind Gloucester by Edgar; etc. A few years ago (2019) an entire collection of articles was published on the parallels between Oedipus at Colonus and King Lear. Although in this collection the similarities between the two plays are analyzed from different points of view, no special attention has been paid to the metaphorical meaning of blindness of mind and eyes, an aspect about which the author of this article first wrote in 2015 and discusses it in more detail in this paper. “It is better to be blind in the eye than blind in the mind”: this saying of the 5th century Armenian historiographer Yeghishē, found in other ancient sources as well, perfectly fits the dramatic story of Oedipus, who in his turn has well-known counterparts in Shakespeare’s King Lear, namely Lear and Gloucester. This paper focuses on an interesting parallel between these three characters, namely, the painful, tragic way by which they acquire wisdom (in the case of Oedipus, prophetic wisdom) through blindness.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>слепота ума</kwd><kwd>слепота глаз</kwd><kwd>мудрость через слепоту</kwd><kwd>пророческая мудрость</kwd><kwd>Эдип</kwd><kwd>Лир</kwd><kwd>Глостер</kwd></kwd-group><kwd-group xml:lang="en"><kwd>blindness of mind</kwd><kwd>blindness of eyes</kwd><kwd>wisdom through blindness</kwd><kwd>prophetic wisdom</kwd><kwd>Oedipus</kwd><kwd>Lear</kwd><kwd>Gloucester</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Beltrametti, A. (2019). Oedipus’ εἴδωλον, “Lear’s shadow” (OC 110, King Lear 1.4.222). In S. Bigliazzi (Ed.). 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