stepsШаги/StepsShagi / Steps2412-94102782-1765The Russian Presidential Academy of National Economy and Public Administration10.22394/2412-9410-2022-8-4-152-169steps-129Research ArticleКУЛЬТУРА ВОСТОКА. Литература и искусство Восточной АзииCULTURE OF THE ORIENT. Literature and art of Eastern AsiaSeolsongdo (설송도) by Yi Insang (이인 상, 1710–1760) as an embodiment of the symbolic interpretation of the pine tree image in Korean fine artSeolsongdo (설송도) by Yi Insang (이 인상, 1710–1760) as an embodiment of the symbolic interpretation of the pine tree image in Korean fine arthttps://orcid.org/0000-0002-0210-6541GutarevaYu. I.GutarevaYu. I.

Юлия Ивановна Гутарёва кандидат искусствоведения главный специалист (искусствовед)

660093, Красноярск, пр-т имени газеты «Красноярский рабочий», д. 197 

Yuliia I. Gutareva, Cand. Sci. (Art History) Chief Specialist (Art Critic)

660093, Krasnoyarsk, Avenue named after the Newspaper Krasnoyarsky Rabochy, 197

gutayule@gmail.comФилиал Российской академии художеств в г. Красноярске «Региональное отделение Урала, Сибири и Дальнего Востока Российской академии художеств в г. Красноярске»РоссияBranch of the Russian Academy of Arts in Krasnoyarsk “Regional Department of the Urals, Siberia and the Far East of the Russian Academy of Arts in Krasnoyarsk”Russian Federation20220102202584152169Copyright © Gutareva Y.I., 20252025Gutareva Y.I.Gutareva Y.I.Данная работа распространяется под лицензией Creative Commons Attribution 4.0.This work is licensed under a Creative Commons Attribution 4.0 License.https://steps.ranepa.ru/jour/article/view/129

Статья посвящена анализу свитка «Сольсондо» (설송도) выдающегося корейского художника позднего периода эпохи Чосон Ли Инсана (이인상, 1710–1760), изображающего заснеженные сосны, в образе которых автору удалось наиболее ярко воплотить сложный синкретический комплекс идей, присущих корейской культуре, и отобразить внутреннее духовное состояние. Автор предпринимает попытку на примере произведения Ли Инсана раскрыть особенности художественного образа сосны, выявить символический смысл, объяснить идейную составляющую образа, определив его место и значимость в корейском изобразительном искусстве как важного элемента в визуальной системе, необходимого для сохранения культурной традиции и национального характера. Главный вывод статьи заключается в том, что образ сосны, являясь одним из ключевых в корейском изобразительном искусстве, характеризуясь духовной содержательностью и глубиной философско-эстетических идей эпохи Чосон, обладает жизнестойкостью. Он не теряет актуальности в творчестве корейских художников нашего времени, воплощающих элементы нового концептуального восприятия национального культурного кода, интегрируя и обогащая его новыми формами с использованием современных технологий и различных материалов.

The article analyses the scroll Seolsongdo (설송도) of Yi Insang (이인상), an outstanding Korean painter of the late Joseon era. The scroll depicts snow-covered pines, an image through which the artist managed to most clearly embody the complex syncretic set of ideas inherent in Korean culture, and to display the inner spiritual state. The author makes an attempt to use the example of Yi Insang’s work to reveal the peculiarities of the artistic image of the pine tree, to identify the symbolic meaning and explain the ideological component of the image, defining its place and significance in Korean fine art as an important element of the visual system, necessary for the preservation of the cultural tradition and national character. The main conclusion of the article is that the image of the pine tree, being one of the key images in Korean fine art, characterized by spiritual content and depth of philosophical and aesthetic ideas of the Joseon era, has vitality and does not lose relevance in the works of Korean artists of today, embodying elements of a new conceptual perception of the national cultural code, integrating and enriching it with new forms, modern technology and various materials.

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The authors declare that there are no conflicts of interest present.