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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">steps</journal-id><journal-title-group><journal-title xml:lang="ru">Шаги/Steps</journal-title><trans-title-group xml:lang="en"><trans-title>Shagi / Steps</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">2412-9410</issn><issn pub-type="epub">2782-1765</issn><publisher><publisher-name>The Russian Presidential Academy of National Economy and Public Administration</publisher-name></publisher></journal-meta><article-meta><article-id custom-type="edn" pub-id-type="custom">DWBSRS</article-id><article-id custom-type="elpub" pub-id-type="custom">steps-1161</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>ДРЕВНИЙ ЕГИПЕТ В ЗЕРКАЛЕ СРЕДНЕВЕКОВОЙ ТРАДИЦИИ</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="en"><subject>ANCIENT EGYPT IN THE MIRROR OF MEDIEVAL TRADITION</subject></subj-group></article-categories><title-group><article-title>Золотой петушок, медный гусь, каменный ворон: волшебные статуи в средневековом арабо-мусульманском нарративе о Древнем Египте</article-title><trans-title-group xml:lang="en"><trans-title>Golden cockerel, brass goose, stone raven: Magical statues in a medieval Arab-Islamic narrative on Ancient Egypt</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><contrib-id contrib-id-type="orcid">https://orcid.org/0000-0001-6130-3417</contrib-id><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Банщикова</surname><given-names>А. А.</given-names></name><name name-style="western" xml:lang="en"><surname>Banshchikova</surname><given-names>A. A.</given-names></name></name-alternatives><bio xml:lang="ru"><p>Анастасия Алексеевна Банщикова, кандидат исторических наук cтарший научный сотрудник, научный коллектив по проекту РНФ 24-18-00378; старший научный сотрудник, Центр истории и культурной антропологии</p><p>119334, Москва, Ленинский пр-т, д. 32а</p><p>123001, Москва,ул. Спиридоновка, д. 30/1</p></bio><bio xml:lang="en"><p>Anastasia Alekseevna Banshchikova, Cand. Sci. (History) Senior Research Fellow, research group for the project of the Russian Science Foundation 24-18-00378; Senior Research Fellow, Center of History and Cultural Anthropology</p><p>119334, Moscow, Leninsky Prospekt, 32a</p><p>123001, Moscow, Spiridonovka Str., 30/1</p></bio><email xlink:type="simple">senet_m_ta@mail.ru</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru">Институт всеобщей истории РАН ; Институт Африки РАН<country>Россия</country></aff><aff xml:lang="en">Institute of World History of the Russian Academy of Sciences ; Institute for African Studies of the Russian Academy of Sciences<country>Russian Federation</country></aff></aff-alternatives><pub-date pub-type="collection"><year>2026</year></pub-date><pub-date pub-type="epub"><day>30</day><month>03</month><year>2026</year></pub-date><volume>12</volume><issue>1</issue><fpage>77</fpage><lpage>98</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Банщикова А.А., 2026</copyright-statement><copyright-year>2026</copyright-year><copyright-holder xml:lang="ru">Банщикова А.А.</copyright-holder><copyright-holder xml:lang="en">Banshchikova A.A.</copyright-holder><license license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://steps.ranepa.ru/jour/article/view/1161">https://steps.ranepa.ru/jour/article/view/1161</self-uri><abstract><p>На материале обширной компиляции Псевдо-Масуди «Сокращение [сокращенное изложение] диковин [Египта]» (первая четверть II тыс.) исследовано представление арабо-мусульманской традиции (т. е. в первую очередь арабоязычных исламизированных египтян Средневековья) о древнеегипетских статуях и их магических свойствах. Выявлены и классифицированы различные группы статуй в этой традиции по их изобразительным и функциональным признакам. Функции статуй в высокой степени воспроизводят соответствующие клише в древнеегипетской литературной традиции и реальной ритуальной практике при дополнении и модификации их средствами литературно-сказочной фантастики в сочетании с впечатлениями от многочисленных древних статуй, доступных взгляду в Египте, хотя и переставших быть объектами действующих культурных практик. Меньше воспроизводится та часть древнеегипетских литературных клише, где как материал скульптур фигурирует воск или глина, а не камень (каменные статуи наблюдались реально). Более прямые древнеегипетские реликты можно увидеть в примерах, где волшебные статуи отличаются от остальных по образу действия, коррелирующему с древнеегипетскими магическими практиками. Материал подтверждает непрерывность культурной истории от древних египтян к их прямым средневековым арабизированным и исламизированным потомкам.</p></abstract><trans-abstract xml:lang="en"><p>Based on a study of an extensive compilation by PseudoMasudi, “Abridgement of the Curiosities [of Egypt]” (first quarter of the 2nd millennium AD), this article examines the understanding of the Arab-Muslim tradition (i. e., primarily the Arabic-speaking Islamized Egyptians of the Middle Ages) of ancient Egyptian statues and their magical features. Various groups of statues in this tradition are identified and classified according to their functional and other traits. The functions of the statues reproduce, to a high degree, the corresponding clichés in the ancient Egyptian literary tradition and actual ritual practice, developing them through literary and fairy-tale fantasy, in combination with impressions of the numerous ancient statues easily visible in Egypt, even though they had ceased to be objects of active cultural practices. Less reproduced is that part of ancient Egyptian literary clichés where wax or clay, rather than stone, is used as the material for sculptures (stone statues were observed in reality). More direct ancient Egyptian relics can be seen in examples where magic statues differ from the rest in their mode of action, correlating with ancient Egyptian magical practices. This material confirms the continuity of cultural history from the ancient Egyptians to their direct medieval Arabized and Islamized descendants.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>Египет</kwd><kwd>исламско-египетская традиция</kwd><kwd>копты</kwd><kwd>магические статуи</kwd><kwd>Псевдо-Масуди</kwd><kwd>«Сокращенное [изложение] диковин»</kwd><kwd>ритуал</kwd></kwd-group><kwd-group xml:lang="en"><kwd>Egypt</kwd><kwd>Islamic-Egyptian tradition</kwd><kwd>Copts</kwd><kwd>magic statues</kwd><kwd>Pseudo-Masudi</kwd><kwd>L’abrege des merveilles</kwd><kwd>rites</kwd></kwd-group><funding-group xml:lang="ru"><funding-statement>Исследование выполнено за счет гранта Российского научного фонда в рамках проекта № 24-18-00378 «Происхождение и состав позднеантичной и средневековой картины прошлого Ближнего Востока и Эгеиды в древнейший (доахеменидский) период», https://rscf.ru/project/24-18-00378/.</funding-statement></funding-group><funding-group xml:lang="en"><funding-statement>The research is sponsored by the grant 24-18-00378 of the Russian Science Foundation “The Origin and the Contents of the Late Antique and Medieval Picture of the Near Eastern and Aegean Past in the Earliest (preAchaemenid) Period”, https://rscf.ru/project/24-18-00378/.</funding-statement></funding-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Банщикова 2005 Банщикова А. 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